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Episode 89 | Singer/Songwriter/Lead Vocalist of ABC, Martin Fry; Encore Presentation of Paul Zamost of the Punk Band The Effigies | 02-27-25

bio via abcmartinfry.com & wikipedia

ABC led by charismatic singer Martin Fry formed in Sheffield in the 1980’s . They wanted to fuse the world of disco funk with their own unique new romantic, post punk vision.  ABC’s debut ‘The Lexicon Of Love’ went to No 1 and sold over a million records.  To date, ABC have released nine studio albums: ‘The Lexicon Of Love’ (1982), ‘Beauty Stab’ (1983), ‘How To Be A Zillionaire’ (1985), ‘Alphabet City’ (1987), ‘Up’ (1989), ‘Abracadabra’ (1991), ‘Skyscraping’ (1997) , ‘Traffic’ (2008) and ‘The Lexicon of Love II’ (2016)

Fry’s music career spans more than 40 years. He came to prominence in the early 1980s as co-founder and lead vocalist of the pop band ABC, which released six singles that entered the top 20 charts in the United Kingdom during the 1980s, including “Tears Are Not Enough“, “Poison Arrow“, “The Look of Love“, “All of My Heart“, “That Was Then but This Is Now” and “When Smokey Sings“. He is the only member who has been with ABC throughout its entire history and is currently its only official member.

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The Effigies are an American punk rock band from Chicago. The band played its first show in 1980 and was active initially for approximately a decade, undergoing multiple personnel changes (with frontman John Kezdy the only constant) before disbanding in 1990.[1] The band released 3 albums (For Ever Grounded/Fly On A Wire/Ink), 2 EPs (Haunted Town/We’re Da Machine) and one single during this initial run, most on the record label they founded in 1981, Ruthless Records, which was distributed by Enigma. Later albums were released on the Fever Records[2] and Roadkill Records[3] labels. They toured the U.S. and Canada, sharing bills with bands such as Black FlagThe Dead KennedysUK SubsPILThe Birthday PartyThe PlasmaticsSS DecontrolGreen DayGBH and The Circle Jerks at iconic venues, including MetroCBGBMaxwell’sFirst AvenueMabuhay Gardens, Paycheck’s, Exit and The Rathskeller among others. They were heavily featured in the underground press, and received a significant amount of national airplay on college radio at a time when it was the only medium for alternative music.

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